• Early creative project development

  • Full production financial management

  • Contract & legal administration

  • Production operations & staffing

  • Casting

  • HR & welfare support

  • Production management

  • Tour booking

  • Ticketing services

  • Marketing & commercial oversight

General management

From the initial concept meeting to opening night and into running, at JAS Theatricals we provide comprehensive general management support to producers, creatives, cast and crew, enabling every production we manage to run smoothly and efficiently.

Producing

JAS Theatricals is a producer and executive producer and our portfolio spans everything from award-winning West End musicals and high-end touring productions to critically acclaimed Broadway transfers and innovative adaptations of films and books into musicals and plays.

The extensive variety of JAS Theatricals’ productions include taking on the role of lead producer or co-producer on shows such as Noises Offand Hadestown in the West End, major UK tours including Cluedo and its successful sequel Cluedo 2, the Single White Female UK tour,  and Something Rotten! at Manchester Opera House.

Film capture

JAS Theatricals is proud to partner with Stage2View – a venture founded by Josh Andrews and film producer Austin Shaw, alongside Stuart Galbraith – to finance, produce, and distribute live events through film capture on a global scale.

With Austin Shaw’s extensive experience in film capture, including acclaimed productions like An American in Paris, Kinky Boots, 42nd Street, The King and I, Anything Goes, and Message in a Bottle, combined with JAS Theatricals' decades of expertise in the theatre industry and live events arena, we are uniquely positioned to effectively capture any live event. Together, we aim to to ensure that audiences around the world have access to the best of West End and Broadway productions, both now and for generations to come.

Stage2View is equipped to fully or co-finance our productions and has established numerous distribution relationships, allowing us to exploit rights on a long-term global basis, similar to feature films. While we understand that filming a production is sometimes a secondary consideration for producers, we believe it serves as a powerful marketing tool and can generate residual income long after a show has closed.